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[Male vocals], Nakarat: Balım naz, naz maldır Bakışı kalbi yandır Gülüşü fırtına Bu gönül sana kandır Balım naz, naz maldır Aklımı baştan aldı Bir selam yeter bana Kalbim sana bağlandı 1. Kıta: Gece iner sokaklara Adın düşer dudaklara Bir mesajın yeter Dünya döner o anlarda Adımların ritim tutar Kalbim sana yol bulur Herkes gider, sen kalırsın Bu hikâye sende durur Nakarat: Balım naz, naz maldır Bakışı kalbi

[Male vocals]

[Female vocals], Style musical: Opéra symphonique triste Genre: Opéra / musique classique contemporaine / science-fiction mythologique Tempo: Lent à modéré (60–75 BPM) Tonalité: Mineure (ré mineur ou mi mineur) Ambiance: Mystique, solennelle, cosmique, dramatique

[Female vocals]. heavy, thrash metal, with operatic soprano female vocals, heavy guitar riffs, big power chords, long melodic lead guitar intro, choir and strings with guitars in chorus, key G minor with some D harmonic minor sections, about a wolf leading his pack and facing all the challenges on the journey. Title 'Grey' ,metal song style

[Male vocals], Style musical: Opéra symphonique épique Genre: Opéra / musique classique contemporaine / science-fiction mythologique Tempo: Lent à modéré (60–75 BPM) Tonalité: Mineure (ré mineur ou mi mineur)

[Male vocals], Fiestas pagana( folk metal alegre) castellano

[Female vocals]. Power metal ballad, long melodic guitar solo intro, Key of D harmonic minor, heavy guitar riffs and big power chord chorus, about a boy coming of age in Sparta and becoming a warrior, title 'Spartan' include choir and strings with guitars in chorus, ,metal song style

[Female vocals]. Epic Dark symphonic power metal with an oriental feel with operatic layered female vocals against crushing guitar riffs a huge power chord chorus, shred guitar solo, about a samurai Shogun overcoming against the odds, Key of G minor with some harmonic minor, tempo 90 bpm.,metal song style

Heidi, johannes ,Busfahrt ,country song style

Dark cinematic war chant with deep male vocals. Low droning strings and frame drums build a marching pulse, punctuated by brass stabs and distant male choir responses. Verses are half-recited, half-growled; chorus erupts with unison chants and heavy percussion hits. Sparse reverb for intimacy in verses, then wide, cavernous space in the hook for maximum drama., deep. Sung In arabic.

Authentic rural Hutsul folk trance, village celebration in the Carpathian mountains, raw traditional Hutsul rhythms, acoustic folk instruments leading the sound, trembita calls echoing across valleys, lively sopilka melodies, drymba pulses, natural hand drums and wooden percussion

[Male vocals]. Marx, Engels, Lenin, Stalin, Mao,Rap style

Ich kann nicht mehr** **Strophe 1: Person 1 (Max)** Yo, es ist sechs Uhr, der Wecker klingelt wie verrückt, Ich drück' auf Schlummern, doch mein Kopf bleibt gedrückt. Müde Augen, schwer wie Blei, ich will nur weiterträumen, Doch der Tag ruft mich, kann die Schule schon versäumen. **Refrain: Alle** Ich kann nicht mehr, ich bin so müde, Der morgendliche Kamp,Rap style

[Female vocals] soprano operatic style epic power metal, Heavy dark guitar riffs and licks, big guitar power chords, key G Minor, 90 Bpm, choir in chorus, ethereal, fantasy, guitar solo, about an enchanted forest which hold ecstasy inside.

Carpathian Hutsul dance ethno-trance, energetic traditional Hutsul folk rhythms, fast-paced kolomyika-inspired groove, lively trembita calls, sopilka melodies leading the track, drymba accents, powerful folk drums and hand percussion, joyful and festive mountain spirit, strong danceable pulse, minimal but punchy electronic bass supporting acoustic instruments, vibrant village celebration atmospher