Discover AI Music

electro house style, hard bassline, smooth melody, festival beats, woman solo and man rap insert, waves my life

Soft low-frequency drones, breath-like ambient pads, gentle heartbeat-like sub-bass, psychological depth, introspective atmosphere, spacey echo, slow evolving textures.

Sparse piano droplets with long reverb, distant low hum, subtle ticking elements, emotional emptiness, trauma-inspired mood, dark cinematic ambience, no beat, no vocals.

[Male vocals], mathieu le gall

[Male vocals]. We cannot deny the fact that poetry can nourish our soul and mind, regardless of our preferred genre. Most well-known writers draw from experiences that inspire or resonate with readers in their personal lives. This also fosters imaginative awareness of a specific experience or emotional response through carefully chosen language.,Rap style

Minimal ambient noise, cold air textures, soft rumbling bass, static-like emotional tension, slow fade movements, hypnotic background, silent psychological pressure, no rhythm, no vocals.

Primeta vibes’us, kai miestas dar nemiega, Šviesos mirga vitrinose, naktis tokia šviesi. Širdyje ritmas — bum, bum, bum — jis degina, Ir visa aikštė su manim kartu kvėpuoji tu.

هله هله هی هی هی هله دان هله دان یدان یدان هله دان هله دان ههههه هله هله هِله 🎵 متن ترانه می‌خوام برم تو کوچه، داد بزنم از ته دل این حاجی با اون ریشش، خودشه جنده‌ی محل هوار هوار کردم، قمار زدم رو کارش اون‌که می‌گفت امامه، درآوردم اسرارَش دست به تسبیح می‌گیره، زیر لب ذکر می‌گه شب که می‌رسه با پول، پیش زن غریبه می‌گه هوار هوار کردم، رسوا زدم صداشو اون‌که می‌گفت معصومه، دیدم خودِ بلاشو می‌گم حا

[Uschi wird 70, lustige Person, Ehemann Lauser, 3 Enkel Frida, Hansi und Wilma Male vocals]

“Rain on the Cross” Field recording of quiet rainfall, hollow wooden percussion like church pew taps, wide reverb on a breathy vocal, cello and upright bass holding long swells, distant thunder roll at emotional peak, then a single voice repeating “forgiven” on the outro.

[Male vocals]. ​🎸 Mi Tío El Loco (Biónico) 🎸 ​(Introducción con Guitarra eléctrica con reverb, piano simple y el saxofón marcando un riff alegre y enérgico al estilo de los 60s) ​(¡Yeah, yeah! ¡A bailar, chico! Esto va por mi tío, El Chaparrito.) ​Estrofa 1 ​Tengo un tío que es de película, Todos lo llaman El Loco en la vecindad. Es Oscar Zúñiga Sequera, con tremenda vit,Rap style

“There Was a Flame in the Silence” Minimalist beginning — one piano note every two seconds with cathedral reverb, soft inhale/exhale vocal textures, sound of wind sweeping through; at 1:20 introduce a slow choral chant in a major key, like hope entering the dark room; final 30 seconds fade into white noise and openness.

Soft piano in minor key with slowly rising strings, faint white-noise wind like distant wings, subtle male/female choir breathing in unison, low heartbeat bass enters at 0:40, and a gentle burst of golden synth at the 1:10 mark like sunlight breaking through a closed door. “It Was Quiet When the Angels Came”

“Heaven Set a Table for Us” Rhythmic guitar taps like soft knocking, warm piano chords, gospel choir humming from far away, verse built from quiet vocal fragments (“here,” “stay,” “rise”), swelling bridge at 1:30 with strings and chimes as if the room is filling with light.

Senza casa, senza un nome, senza un foglio che dica “tu esisti davvero”. Senza un lavoro, senza salute, senza nulla… tranne la tua mano a tirarlo su dal nero. C’era Senisi, persa e arrabbiata, che gridava al mondo e non aveva più nessuno accanto. E Fellini, fragile come vetro, che tu hai tenuto in piedi quando tutto sembrava troppo. (Pre-Ritornello) Hai fatto guerra alla burocrazia, alla notte, a

“Her Light Didn’t Flicker, It Fought” Slow-building cinematic theme; low drones, bowed metal FX, tiny clicking percussion like sparks; rising female vocal line without words, crescendos into a triumphant, orchestral chorus with taiko rolls and shimmering cymbal wash, then soft outro returning to embers.

Cinematic, heroic, and epic with emotional impact. Builds tension with rising arcs, heroic motifs, and triumphant resolutions. Radio-ready structure with viral drops—emotional but accessible. Think Imagine Dragons meets Hans Zimmer. Perfect for trailers, character intros, and faceless video, and movies.

Sparse piano droplets with long reverb, distant low hum, subtle ticking elements, emotional emptiness, trauma-inspired mood, dark cinematic ambience, no beat, no vocals.

Minimal ambient noise, cold air textures, soft rumbling bass, static-like emotional tension, slow fade movements, hypnotic background, silent psychological pressure, no rhythm, no vocals.

[Female vocals], Thirumal reddy nomination for election can u write a song

[Male vocals], مش قادر أنساك حبيبي حبك ساكن جوايا زي الشمس ما بتغيبش نورك مالي دنيايا قلبي بينبض باسمك بحبك بحبك بحبك كل يوم وكل ثانية أنت ليّا الحكاية حروف اسمك بترقص على أوتار مشاعري ضحكتك أغنيتي وأنت كل أشعاري لو غبت يوم عن عيني الدنيا تبقى ظلام إنتَ أماني ونوري إنتَ الحلم والسلام قلبي بينبض باسمك بحبك بحبك بحبك كل يوم وكل ثانية أنت ليّا الحكاية

[Male vocals]. A Shadow the hedgehog Last man standing song with heavy metal guitar and drums, a 7 second start up of ‘all hail shadow’ by crush 40, then heavy metal and hard rock and some chill parts before a somber part in the middle of the song with piano before heavy metal and guitar solo with a part saying ‘I AM THE ULTIMATE LIFEFORM!’